Textures in Motion










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HarvardX GSD1 course assignment on Brunelleschi and perspective

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     Here I have decided to share some of my assignments during my online certified course "Architectural Imagination" from Harvard.  Prompt 1  :  In  one to two paragraphs , reflect on how the idea of perspective orients the viewer and helps construct  a specific understanding of the Renaissance architectural imagination .  Review the prompt and the following images of Brunelleschi's church of San Lorenzo.       While considering Brunelleschi's church of San Lorenzo we can deduce that linear perspective plays a major role on its construction. Argan analyzes the church on his essay as "a construction of a succession of imaginary planes seen in perspective from the foreground to the horizon" from which we can rightfully assume that perspective was a fundamental key of this building on Brunelleschi's mind way before it came to its final state. And from Argan's own words, this perspective which is the proces...
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"Building, Dwelling, Thinking" Heidegger- Review

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     In this essay of Martin Heidegger we manage to get a real glimpse on the context of the time it was written in, as well as Heidegger's own philosophy of life and beliefs. Being one of the most authentic philosophers of the 20th century, Heidegger has pursued his writing on  "Building, Dwelling, Thinking" during the wake of the shortage in housing systems after the WW2. As an existentialist himself, Martin Heidegger has devoted his philosophy to the study of being,  relating it to the relationship between thinking, dwelling and building, which he believed had been severed by the modern world. He goes on through his writings trying to re-teach us the proper way of dwelling .      The essay starts off with an explanation regarding the two-way relationship between building and dwelling. It is regarded that it is a simultaneous means-end interrelation where to build does not necessarily mean to dwell, whereas dwelling is necessarily linked to b...
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The Memory Theatre of Giulio Camillo ; Renaissance Memory

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     Giulio Camillo, born in 1480, was an Italian philosopher best known for his Memory Theatre in the sixteenth century. His fame knew many ups and downs after his death but was reestablished during the 1900s by the British historian Frances Yates in her book on The Art of Memory which opened up new research possibilities in these areas.       The way in which Yates approaches Camillio's Memory Theatre in her book is through his own quotations or through the words of Viglius Zuichemus, a friend of Erasmus. Such a dualism of representation makes reading the book quite interesting, as we are first hand observers of two different schools of thought which divided the Renaissance thought at the time, trying to decipher the byproduct of occult philosophy; The Memory Theatre. On the one hand we have Giulio Camillo, a Hermetist, who tries to construct a physical representation of   the sort of mental memory palaces that had been crucial to ora...
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